Tag Archives: Art

Final version of Two Sparrows

Final layer of green put on…

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Drypoints and Chine Colle

This was me trying out printing drypoints on my press.

My drypoints are on perspex sheets , this one was of a sow thistle from the garden. I tried various combinations of leaving ink on the plate, printing with colour as I found some colour inks I thought I could use as intaglio ink ( they worked alright ), and adding a layer of chine colle.  I was using rice paper for this , which I was adding ink to as well before passing through the press.IMG_20170727_154916IMG_20170727_160700IMG_20170727_163058

Woops! Still some practice needed to get the pressure right on my little press. I was pushing it to its limits to try to get enough pressure to stick the chine colle properly. But this was tooo much pressure !

 

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I’m pleased with all the colours and think the chine colle does add something.

Kitchen Litho How To

Hello, in a previous post I talked about how excitied I was to finally try Kitchen Litho as it is known. Here is my attempt at a how to on the process. It is not a very hard proccess at all , or even that long winded, and I am sure you could have a go and have loads of fun with it !

I originally found this process in a copy of Printmaking Today,  back in 2012 written by a lady called Emilie Aizier-Brouard. 

 

Step 1: Gather STUFF!

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  • Cola (fresh is better )
  • Aluminium foil (the stronger the better )
  • tape ( parcel is better )
  • clean damp sponge (the wetter the better !!… er, no, wet but not dripping is best)
  • a plastic or metal sheet to wrap foil around
  • thick oil based ink and roller
  • a plastic tub to hold you bath of cola. (not shown here )
  • Paper to print on , and blotting paper if using soaked paper
  • Drawing materials:  softest graphite, anything oily to make a mark with , permenant markers, biros. (plenty of chance to experiment here )

 

Step 2: Preparing your plate ( fiddliest bit)

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You will be drawing on the mat side of the foil, BUT BE CAREFUL NOT TO TOUCH IT WITH YOUR BEAR HANDS !  Any hint of grease will show in your final print ( see my print below *sigh*), wear disposable gloves to be sure, I did not have any to hand….

Take your plate , I used an old bit of perspex to wrap my foil around.  Cut the foil larger than your plate . then with mat side out ( make sureit is resting on something clean and grease free) wrap your sheet.

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Here is the back side of my wrapped and stuck plate. Parcel tape is good, as it is water resitant and thin . Make sure that there are not any gaps or holes where cola can get underneath your foil otherwise it will get messy! Cola squirting out when you least expect it …

I used clean( ish ) tissue paper to work on to help keep the plate grease free.

 

Step 3 : Drawing on the plate

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I chose a picture that I thought would suit the sketchy line style that this printing process is best at.

I kept to a simple selection of drawing materials, soft grapihte pencil ( 8B or 9B is  best) and a graphite stick, again soft.

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You have to keep your hand from touching the suface as you draw. I like this as it keeps you from spending too long on the drawing . From my brief foray into this process the print quality is lovely but leans towards the informal. It would be hard to make it very clean and precise. I might be wrong and would love to know  what other people are doing with the process.

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Finished drawing

Step 4: Sensitizing the plate

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Pour your fresh cola into a plastic tub, enough to submerge your plate, and leave for 5 seconds and then go and rinse with clean water. Simple as that !!

IF I had used other drawing tools, such as oil pastels,  and was going to try to print in another colour other than black, I would now have to wash off the drawn marks after sensitizing the plate.  To do this you pour a little oil ( such as rapeseed) on the plate and wipe it off quickly and gently with a soft cloth, you should see a phantom image apear . then wipe over with a clean damp sponge .  If you left marks on the plate which left a residue,  when you tried to ink it up it would clog.

The phosphoric acid and gum arabic in the cola makes the areas that have not been drawn on , hydrophilic. This means water will sit in a film on the surface, but be repelled from the drawn areas, which will catch the ink from your roller.

Senefelders Maxim – water repels grease.

 

Step 5: Inking and Printing

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Ink rolled out , Im using intaglio ink, Raw Umber and bone black . Thick ink is important, but I’m not sure why!

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Before you roll your ink over, you need to make sure you wipe over your plate with your wet sponge, getting the right amount of water on the plate is important and you will just have to try it out and see what works for you.

When you first ink up your plate it will need several passes of ink , wiping over with your sponge in between, and probably will not be as dense a print as the next one, as more ink gets built up on the plate. S0101015

You can see here where in the top half of the image I touched it with my fingers  it has picked up my finger prints, woops!  If there are areas where ink is gathering and its not supposed to be , you can use a brush dipped in cola to clean off those areas .

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Printing using my mini printing press.

I tried both damp and non damp paper , using  a spoon as a baren and the printing press to compare results.  I will post the results in another entry.

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I got at least 10 Prints from this plate , and I think I could get more from it  which is pretty good going.

My technique needs perfecting as my plate gathered quite a bit of ink as it went along. I will try;

less ink on roller,

adding chalk to ink to make it thicker,

wiping with sponge before every pass of roller,

and having roller that is same size as plate.

and being more careful touching the edges of my plate in the first place !

Hope you find this post useful and I would love to see what you make with it .

Thanks for reading.

Pilgrimage , Salmon

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This was my unique Lino and monoprint, called Pilgrimage, for an exhibition of the same name shown at Gloucester Cathedral , a beautiful place for an exhibition .

This print I took  the theme pilgrimage and the first thing that came to mind was salmon going back up river  to spawn. So I lino cut my slamon , printed several of him, some on tissue paper, then monoprinted the background , and then using rabbit skin glue as it is neutral and I know it doesn`t show  too much, I pasted layers together with several of my salmon just staggered to give a sense of depth . then popped him in a box frame and mounted him so the warped and cockled paper hung suspened .

GPCo-op International Print Exchange

“Gloucestershire Printmaking Cooperative was founded in 2005. It is the only printmaking facility of its kind in Gloucestershire and has extensive printmaking facilities at the studios at Giffin Mill, Stroud.Here are images from one of its many opportunities, the International Print Exchange, 2016,  with the Manhattan Graphics Center in New York.”

David Thomas “Five Fishes” 2014 Paperlitho silkcreen (Manhatttan Graphics Center )

David Thomas “Five Fishes” 2014 Paperlitho silkcreen (Manhatttan Graphics Center )

Liz Marraffino “My Cave of Dreams series 2″ 2015 etching (Manhatttan Graphics Center )

Liz Marraffino “My Cave of Dreams series 2″ 2015 etching (Manhatttan Graphics Center )

 

Fish and Chips’, Screenprint by Sophy Thomas (GPCoop)

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‘Musco viridi tinea’ by Cath Bloomfield

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‘Geranium Pratense’ drypoint by Alison Sloggett

Here are some of the prints from both sides of the ocean that took part in an exchange this year , the prints were shown in cirencester in march , and the prints from the gloucestershire will be shown in manhattan in June, sadly though cant quite afford to pop over the atlantic to atttend the private view!

A great range of prints , you can see more at the tumblr site i have set up here!

Oops! February, March and Aprils Sketch a Day, best bits…

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This was a bit of a cheat , i had missed loads of days so i divided up my page and did loads of little sketches of british birds, cus I love em!

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It was Shakespeares 400th anniversary of his birth the other day , and i was watching the RSC programme on the bbc , they had extracts from shakespear , opera and dance which these very loose sketches was my attempt to capture  a dance between othello and desdemona, big heavy marks for othello and more fluid delicate marks for desdemona.

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Januarys Best Bits…

Here we are again! Another month down on my sketch a day project.  January was a mixed bag of drawings. I started the month really energised, but that slowly trickled away till my sketch a day was happening in fits and starts, but I was happy with the earlier sketches from the month. which these are some .

Febuary so far has been very bird themed, I was inspired by a programme on the birds of paradise! So that will be next months 😉

Thanks for looking

 

Decembers Best Bits! sketch a day..

dec 2015.jpgI made December all about portraits as it is a people time of year. I did not sketch as many different people as I imagined , my husband was sketched quite a few times, but then he is in my life a lot so it makes sense looking back.

From focusing on portraits, it was easier to decide what to draw day to day, and it did help to make me feel more confident, having that practice. I was thinking more about how to draw what I was looking at, than what to draw in the first place.

So I think I would put a theme on another month, it was a help not a hinder.

Now into the new year and new Sketchbook !

good sketching to you

Novembers Best bits of Sketch a day

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It has been a busy and emotional kind of month. and I will admit that i have missed a few days (9 to be precise!) sketching  this month, and sometimes it has felt like a chore. (which is worrying as i have only been doing it 3 months and have another 9 month ahead of me!)

BUT , this month (December) it is my aim to be consistent and put more effort into my sketches, to get myself back on track .

I am going to try to gather some different materials to try drawing with , and maybe think about choosing a theme for this month, like just focus on people and portraits, as it is a family time of year for me.

As always thanks for looking and reading , and good luck in any projects you have going on!

( and you can find me on instagram and facebook )