Dunnock linocut

Following on from my Siskin linoprint, I have finally finished carving the first block of a Dunnock linocut.

Its about a5 size. And now I’ve carved it, I need to decide what to do next. I hear you cry, but didn’t you have a plan!? Well yes I had in mind what I thought I wanted this print to look like. But now I have printed the proof of this first layer, the black background again is very striking.

Proof on tissue paper , printed by hand

In my idea I would carve it out of the surrounding lino. But leaving it stark black and white with the inky blackness behind has an appeal. I found this with the siskin print, so left the block so I could print it like that as another option.

Any who, decisions to be made and my troble is I usually quite like all the options so find it hard to choose. I should do some sampling to help me decide, but that usually leads to me being distracted and not finishing original idea. Arrrgggh . These are all nice problems to have though, and this is just a nice place to write then down and have a think.

Putting things into the public domain makes me finish things more so than if I don’t share them , so thanks person reading this šŸ˜‚

Block before being inked

Printmaking in the garden with a home made press!

I have posted a new video on my YouTube channel. I finally finished putting my pasta machine press together and thought I would try out printing from plants with it, and why not do it in the garden as it is a very mobile press!

So please check it out if interested.(Link below) I think the pasta press works remarkably well for soft thin items, like you would mono print with. The idea to mount it on its side came from Snake artist who has great fun art videos on you tube.

Monoprinting with a pasta machine


Drypoints and Chine Colle

This was me trying out printing drypoints on my press.

My drypoints are on perspex sheets , this one was of a sow thistle from the garden. I tried various combinations of leaving ink on the plate, printing with colour as I found some colour inks I thought I could use as intaglio ink ( they worked alright ), and adding a layer of chine colle. Ā I was using rice paper for this , which I was adding ink to as well before passing through the press.IMG_20170727_154916IMG_20170727_160700IMG_20170727_163058

Woops! Still some practice needed to get the pressure right on my little press. I was pushing it to its limits to try to get enough pressure to stick the chine colle properly. But this was tooo much pressure !



I’m pleased with all the colours and think the chine colle does add something.