Final layer of green put on…
This was me trying out printing drypoints on my press.
My drypoints are on perspex sheets , this one was of a sow thistle from the garden. I tried various combinations of leaving ink on the plate, printing with colour as I found some colour inks I thought I could use as intaglio ink ( they worked alright ), and adding a layer of chine colle. I was using rice paper for this , which I was adding ink to as well before passing through the press.
Woops! Still some practice needed to get the pressure right on my little press. I was pushing it to its limits to try to get enough pressure to stick the chine colle properly. But this was tooo much pressure !
I’m pleased with all the colours and think the chine colle does add something.
Hello, in a previous post I talked about how excitied I was to finally try Kitchen Litho as it is known. Here is my attempt at a how to on the process. It is not a very hard proccess at all , or even that long winded, and I am sure you could have a go and have loads of fun with it !
I originally found this process in a copy of Printmaking Today, back in 2012 written by a lady called Emilie Aizier-Brouard.
You will be drawing on the mat side of the foil, BUT BE CAREFUL NOT TO TOUCH IT WITH YOUR BEAR HANDS ! Any hint of grease will show in your final print ( see my print below *sigh*), wear disposable gloves to be sure, I did not have any to hand….
Take your plate , I used an old bit of perspex to wrap my foil around. Cut the foil larger than your plate . then with mat side out ( make sureit is resting on something clean and grease free) wrap your sheet.
Here is the back side of my wrapped and stuck plate. Parcel tape is good, as it is water resitant and thin . Make sure that there are not any gaps or holes where cola can get underneath your foil otherwise it will get messy! Cola squirting out when you least expect it …
I used clean( ish ) tissue paper to work on to help keep the plate grease free.
I chose a picture that I thought would suit the sketchy line style that this printing process is best at.
I kept to a simple selection of drawing materials, soft grapihte pencil ( 8B or 9B is best) and a graphite stick, again soft.
You have to keep your hand from touching the suface as you draw. I like this as it keeps you from spending too long on the drawing . From my brief foray into this process the print quality is lovely but leans towards the informal. It would be hard to make it very clean and precise. I might be wrong and would love to know what other people are doing with the process.
Pour your fresh cola into a plastic tub, enough to submerge your plate, and leave for 5 seconds and then go and rinse with clean water. Simple as that !!
IF I had used other drawing tools, such as oil pastels, and was going to try to print in another colour other than black, I would now have to wash off the drawn marks after sensitizing the plate. To do this you pour a little oil ( such as rapeseed) on the plate and wipe it off quickly and gently with a soft cloth, you should see a phantom image apear . then wipe over with a clean damp sponge . If you left marks on the plate which left a residue, when you tried to ink it up it would clog.
The phosphoric acid and gum arabic in the cola makes the areas that have not been drawn on , hydrophilic. This means water will sit in a film on the surface, but be repelled from the drawn areas, which will catch the ink from your roller.
Senefelders Maxim – water repels grease.
Ink rolled out , Im using intaglio ink, Raw Umber and bone black . Thick ink is important, but I’m not sure why!
Before you roll your ink over, you need to make sure you wipe over your plate with your wet sponge, getting the right amount of water on the plate is important and you will just have to try it out and see what works for you.
When you first ink up your plate it will need several passes of ink , wiping over with your sponge in between, and probably will not be as dense a print as the next one, as more ink gets built up on the plate.
You can see here where in the top half of the image I touched it with my fingers it has picked up my finger prints, woops! If there are areas where ink is gathering and its not supposed to be , you can use a brush dipped in cola to clean off those areas .
Printing using my mini printing press.
I tried both damp and non damp paper , using a spoon as a baren and the printing press to compare results. I will post the results in another entry.
I got at least 10 Prints from this plate , and I think I could get more from it which is pretty good going.
My technique needs perfecting as my plate gathered quite a bit of ink as it went along. I will try;
less ink on roller,
adding chalk to ink to make it thicker,
wiping with sponge before every pass of roller,
and having roller that is same size as plate.
and being more careful touching the edges of my plate in the first place !
It was my birthday recently, and I happened to see this little desktop printing press that I had had my eye on for a while, was on sale, so birthday pressie for myself I bought it .
I have had a few goes on it trying different plates, it has its own way of printing which I need to master, but it’s looking promising for much fun in the future 😁
Fixing it to my desk …
A bit of rumaging around in the garage for some bits that would make suitable brackets and bolts to attach it.
One of the first prints with it, from a collograph plate , a pretty good impression !
Creativity in my other life
Tales of whimsy, humor and courgettes
The life of a constant explorer
Watercolours, Photography, Felting, Miniature Books and More
a blog about my garden and my soft spot for cacti and succulents, travelling and art
Cheltenham based illustrator
nature, pets, art and life
Developing hearts and minds for the Kingdom of God
by Jack Monroe, bestselling author of 'A Girl Called Jack'
Your Lender for Life
Dr Sharon Blackie: writer, psychologist, mythologist
** OFFICIAL Site of Artist Ray Ferrer **
Conversations with Street People
Follow me on Twitter and Instagram @RichyDispatch
Enjoy, Learn, and Erase Stigma!
Nature, art, and everything.
Bosnian tourism, nature and beauty pics. Welcome!
sharing the creative process of artist, illustrator, and book lover, Judy Watson
both eyes opened
both eyes opened
Design and art direction for print, branding and interpretation. Bristol, UK
Just another WordPress.com site
Obsessional about all things paper based
Wedding Renovation Baby Life
TONALIST AND REPRESENTATIONAL FINE ART
News about artists' books, prints, mixed media and more by Catherine Cronin (All images & works copyright © Catherine Cronin)
Global issues, travel, photography & fashion. Drifting across the globe; the world is my oyster, my oyster through a lens.
Putting music to words, and words to pictures ~
It's Not Just For Boys...
Discovering art in everything
photos and thoughts for sharing
A curated glimpse into a world of infinite beauty and creativity.
Writer and Illustrator
embedded into daily life
screen prints and illustration.
Military couple and amateur environmentalists learning as we go
MA Multi-Disciplinary Printmaking
Painting, sketching and living an artful life in the San Francisco Bay Area
Blogging from my artstudio in Göteborg, Sweden
Personal Art Development
This is an MFA Education